The bassline was crafted through layered use of u-He Diva, each layer receiving unique spatialization treatment and extensive automation. The kicks and majority of the additional synths were created with u-He Zebra, occasionally subjected to render, reverse, and cut in various ways to make it more organic. The low to midrange vocal tones are a product of Zebra’s synth, while I contributed my own voice for the higher/more ‘exhale’ tones.